1779 (ca. 1860) Captain John Paul Jones / Bonhomme Richard vs. Serapis Naval Medal. Blue and White Jasperware, by Wedgwood. Type of Betts-568, Adams-Bentley 8. As Made.53 mm. 419.76 grains. Edge marked WEDGWOOD at 12 oclock. A lovely piece, and only the third John Paul Jones medal in jasperware that we have offered in recent years. This is an expertly produced piece, Jones portrait in white set against the even blue color of the balance of the medal, providing a striking cameo-like appearance for the obverse. This blue and white combination is the traditional color scheme of jasperware. The nature of this composition is such that many of the finer design elements are soft and can be difficult to discern during in-hand viewing, especially the letters at the peripheries. The battle scene at central reverse is clear enough, however, and Jones portrait is boldly rendered. Also expertly preserved, the surfaces and edge are remarkably smooth and free of even the most trivial nicks or other signs of handling - remarkable given the delicate nature of this composition. A few speckles of light, ancient residue within the upper right reverse field are mentioned solely for accuracy, as they are not readily evident at all viewing angles and in no way detract, especially given this medals otherwise exceptional quality.<p>Little numismatic study has been accomplished of this and similar Wedgwood creations, though we have seen or offered Washington Before Boston and other Washington portrait medals, as well as a James Monroe Indian Peace medal, in jasperware. Dating to the mid-19th century, when American interest in medals of the American Revolution reached a fever pitch, this item may have been targeted for the American market. A fascinating and rare association piece for a collection of Comitia Americana medals. The John Paul Jones example in our (Stacks) January 2009 Americana Sale was marked WEDGWOOD O on the edge. Another John Paul Jones in jasperware appeared in our November 2021 Baltimore Auction, but was unmarked on the edge and, thus, was not likely a Wedgwood production.From the Estate of Rex Stark.
